Small Batch Only
Eight curated strains from New York micro-grows. Half-ounce or ounce per drop.
- 8 strains from NY micro-growers
- Your choice: ½ oz or 1 oz total
- Tasting notes + cultivator profiles
- Monthly rotation — never repeats
Coming soon
Four curated boxes, shipping twice a month on the 15th and the 30th. Pick the cadence that fits your life — one drop a month or both. Join the waitlist and tell us which box you'd grab first.
Eight curated strains from New York micro-grows. Half-ounce or ounce per drop.
Hash, rosin, and live resin for the refined palate.
A gentle sampler for adults trying cannabis for the first time.
THC-infused drinks for the no-hangover evening crowd.
Pricing to be announced. First members get early access and a founder's rate.
21+ only · New York State residents only · Pending licensing through the NY Office of Cannabis Management. Joining the waitlist does not create an order or payment obligation. We'll email you when boxes go live.
Opening set by Olivia Block Sunday, April 19, 2026 6:30pm Basilica Hudson, North Hall “The Days Pass Quickly Immersed in the Shadow of Eternity” Lea Bertucci with Norbert Rodenkirchen. Archaic flutes in 8-channel audio. Opening set by Olivia Block “Breach” TICKETS Crystalline, minimal and dissonant, T he Days Pass Quickly Immersed in the Shadow of Eternity is a new composition for sampled and live early flutes in 8-channel sound by Lea Bertucci. Steeped in folkloric influences, this work is a haunting contemplation of time,duration and memory that evokes the primeval and futuristic simultaneously. Written for master flutist, early music scholar, and member of the legendary early music group Sequentia, Norbert Rodenkirchen, this work reaches back through the spans of history and catapults ancient music into an immersive present. The collection of flutes that Norbert has amassed over many decades features unique instruments not usually found in the repertoire of most flutists, which spans from the Renaissance to Medieval to Neolithic. Pre-recorded sustained pitches and abstracted melodic fragments generated from five of Norbert’s flutes (Medieval Traverso, Swan Bone,Sheep Bone, Renaissance Tenor and Renaissance Bass) are sampled and live deployed across an eight channel speaker array. Cutting edge audio technology in symbiosis with the deep history of music creates pathways for a new kind of listening. Norbert Rodenkirchen performs live fragments of ancient songs and improvisations related to the origin of the flutes. Sustained tones and an idiosyncratic isopolyphony are two major aesthetic features of the work. The drones pulsing through the sound system create a lush and dissonant bed over which Norbert plays with minimal amplification, in effect expanding and contracting the instrument from its point of live origin to a diffused, spatialized sonic environment. This piece contemplates the depths of human history through the lens of our contemporary upheavals. The pr
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